However these generally can’t be plugged directly into your computer as it doesn’t have a way to read the video signal that the camera produces. To do justice to your production, you’ll want to use a professional / ish video camera. Then later, if you get your hands on a camera and capture device, you can switch to those and refer back to here then. 👩🏽‍💻 while this guide details how to capture video from an external video camera with a video capture device, you can follow along and test with just your webcam. Since video chat apps heavily compress video to reduce bandwidth, there’s never been much need for high-quality webcams.

They are compact, cheap cameras designed with the reasonable assumption that they’d be used for video calls and the like. You’ve probably noticed the poor picture quality from cameras that are either part of your computer (your webcam) or that can plug directly into your computer, e.g. We also need to capture sound from either the camera mic, or a separate mic e.g. In order to live-stream a performance, we first need to film it on camera and acquire that live video signal at a reasonably high quality. QLab is normally used to playback pre-recorded sound and video using a stage-centric cue-based interface, with sound heading out of the computer to a PA system, and video going to projectors, screens, LED walls etc. This makes it seem long! But hopefully the layout will help you find what you need quickly. This guide is detailed with lots of images and screenshots. Finally we’ll also cover topics like reliability, internet connection and using multiple cameras. Then we’ll cover how to add high-quality audio acquision to the setup. We’ll go step-by-step through setting QLab up to work with professional video cameras, and using OBS (Open Broadcaster Software) to stream to YouTube. The workshop was supported by The Arts Council of Ireland and Dublin Fringe Festival. This material is based on a workshop I held with Kevin Glesson with Dublin-based theatre company Dead Centre, which in turn is based directly on our experience of live-streaming 28 performances (as of Feb 2021) of To Be A Machine for Dublin Theatre Festival, Théâtre de Liège and Burgtheater Vienna’s German language version, Die Maschine in Mir. So maybe start this process now if you want to get streaming ASAP. They have a policy of not allowing you to stream for 24 hours after enabling live-streaming on your account. 📺 We’ll be testing your live-stream using YouTube later in the guide.

You will also need a QLab video license once we get there, although you can rent one for 24hrs for $4 (see below). You’ll be able to follow along with the video parts of this guide using just the webcam of your Mac. While this guide is technical in nature, it is aimed at the not-very-technical (we’re all at least a bit technical these days) and aims to cover everything you need to know to live-stream a basic production. We’ll use OBS (Open Broadcaster Software) for streaming which is a brilliant option for budget constrained productions. Some of what is covered here is Mac specific - namely the use of QLab for playback and queuing and Syphon - an app that we’ll use to share video between applications. performances that is low-cost and high-quality. This detailed guide shows you a tried and trusted way to live-stream theatre, dance opera etc. FebruGuide: Live-Streaming for Performance-Makers

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